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engagement
My life as a museum evaluator preceded my life as a parent, and over the past 15 plus years, I have learned a great deal about child development, family learning, and parent-child interactions in informal learning settings.  I know what I know from academia (Piaget and Vygotsky), from classic studies on family learning, and from...
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One of the amazing benefits of working as an evaluator with a variety of institutions is the opportunity for personal learning.  Having an art-history background, I find myself learning the most when I’m placed in non-art environments—reading about fault lines and earthquakes at the California Academy of Science, or getting my hands dirty while exploring...
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This week, I’d like to begin to hone in on the idea of measuring impact that Randi raised in our first blog post.  We define impact as the difference museums can make in the quality of people’s lives, and measuring it can be both exciting and intimidating.  Exciting because just about every museum professional I’ve...
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A few weeks ago, Randi blogged about the lack of emphasis grantors place on professional learning as a valuable outcome of projects they have funded.  The fear of failure I sense from practitioners when planning an evaluation is often palpable, as practitioners often think about evaluation as a judgment tool and fear the possibility of...
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Recently, I and my RK&A colleagues finished a project for the Indianapolis Museum of Art looking at the effects of Mary Miss’ public art installation FLOW: Can You See the River?.  FLOW was conceptualized around the idea that the White River is underappreciated and even ignored by Indianapolis residents who do not fully understand the...
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